{"id":9260,"date":"2026-06-11T19:30:25","date_gmt":"2026-06-11T17:30:25","guid":{"rendered":"https:\/\/www.amsterdamroots.nl\/?post_type=meloo_events&p=9260"},"modified":"2026-06-25T14:00:11","modified_gmt":"2026-06-25T12:00:11","slug":"pause-dxa","status":"publish","type":"meloo_events","link":"https:\/\/www.amsterdamroots.nl\/en\/events\/pause-dxa\/","title":{"rendered":"Pause.dxa"},"content":{"rendered":"
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Pause.dxa <\/h1>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><\/section>
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\n\t\tTuesday 01\/01\t<\/div>\n<\/div>\n

Ancient Indian vocal traditions and electronic soundscapes come together in a profound listening experience<\/strong><\/p>\n

Pause.dxa<\/b> is an experimental sound and music project by Sahitya and Harsh, both rooted in South India. Their work moves at the intersection of tradition and innovation: a search for sound that connects traditional musical styles with contemporary forms.<\/span><\/p>\n

In their performances, they draw on traditional Indian vocal traditions, including <\/span>Dhrupad<\/span><\/i>, one of the oldest forms of North Indian singing, with roots in both spiritual practice and the musical traditions of Indian royal courts. In this style, breath, tone, and subtle shifts in pitch and timbre are central.<\/span><\/p>\n

These vocal improvisations are combined with Harsh\u2019s electronic soundscapes. He builds sounds layer by layer and shapes them into long, sustained tones and rhythmic patterns. He also incorporates field recordings\u2014sounds from the environment, such as wind and water\u2014captured and woven into the music.<\/span><\/p>\n

The result is a sensory, almost meditative listening experience: a session in which sound is not only heard, but also physically felt.<\/span><\/p>\n

Lalaland\u2019s Indian programme is made possible in part by Indigo Airlines, the Gandhi Centre and the Indian Embassy.<\/strong><\/p>\n

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